Monday 11 April 2011

EVALUATION

1) In what ways does your media product use, develop or challenge forms and conventions of real media products?



Before producing my film, I looked into other existing movies in the horror genre. More specifically, films about werewolves. This helped me to gain understanding of the common features used in such films.


After researching existing werewolf movies, I discovered that the majority of them use the opening few minutes to establish scene and character in a simplistic manner, and contain little horror. As a result, I ensured that the opening two minutes of my movie would follow this trend.  Another common feature among the werewolf films I researched along with many other horror films is that the cause of the horror (i.e. the werewolf in this case) is not usually visible to the camera during the early stages of the movie.  However, this would be of little concern to my product, as shots involving the werewolf will be strictly from the creature’s point of view, and the audience will never actually see the werewolf. We got this idea from many low-budget B-Movies, who often shoot in this style to save expenditure.

I had to find away to differentiate between shots from the werewolf’s point of view and normal shots as to avoid confusion between the audience. To do this I decided the werewolf shots should be in a different colour tone to the rest of the shots.  During post-production, I made the decision to display the werewolf shots in a sepia-like colour tone, and the normal shots in greyscale (black and white) The only shot to be shown in colour during the first two minutes of my film will be one establishing shot when the two main characters make their first appearance.


Normal Shot:




Wolf Shot:




2) How does your media product represent particular social groups?

My media product represents the typical teenager by portraying stereotypical teenage actions and image. I decided to have the characters dress like typical teenagers; casually and stereotypical to gender, for example, Ryan Lott (male lead actor) was wearing a baseball jacket, polo shirt and jeans, which are considered to be masculine clothes, and Chloe May (female lead actor) was wearing a floral print dress, which is very feminine.

My film begins with two people driving to a secluded location for a romantic evening. This is something that only teenagers and young adults would probably do, especially at this time of day. By portraying typical teenagers wearing typical teenage clothes and doing typical teenage things is how we have represented this particular social group.


3) What kind of media institution might distribute your media product and why?


I believe the film has the potential to be distributed as a Hollywood Blockbuster. The advantages of this would be the high budget that can be used for highly technologically advanced equipment, highly qualified production staff and better known actors etc... However, I believe that if it were a low budget independent film, in the style of American B-Movies, it would have more of a gritty feel to it. Also, I feel that the technique of only using point of view shots for the werewolf is more suited to the low budget, independent films, because if the use of CGI was available (as it would be for a film with the budget of a Hollywood blockbuster), I would be tempted to scrap the idea of the point of view shots and include as computer generated image of the werewolf. This might have its advantages, nevertheless, it would dissipate the meaning of the film’s namesake, Per Oculos Lupus (Through the Eyes of the Wolf)


4) Who would be the audience for your media product?

My media product would be aimed at both males and females aged 18 or older. What I have learned from talking to a range of people who enjoy horror films is that they are mostly watched by the younger generation (mid-late teens and those in their early-mid twenties).  Although my film has been rated 18, there is no guarantee that it will prevent those under the age of 18 from viewing it.  However, this is the case with the majority of 18 rated media.

I believe that the audience of my film would be between their late teens and mid twenties. The reason for this is that the characters themselves are quite young, meaning a younger audience would find it easy to relate to them, whereas an older audience may not.

 I have had feedback from a variety of people about my film. There were many positive comments; which was highly reassuring, although, some aspects, such as the use of different colour tones created mixed feelings among some viewers. Here are their comments below:

  • Geoffrey William Eric Parsons - It was a good film and I liked it. Made me excited for more!
  • Marcus Kinsey - It had nice camera work to it.
  • Thomas Mcnamara - The song makes it! Black and white effect is a bit confusing.
  • Jake Wilson - Music really fitted with the intro, it set the scene nicely. Lots of camera angles which gave a different perspective of the scene. And the yellow tint on some shots clearly identified a different pair of eyes on the scene.
  • Tim Astley - Very well lit, gives an eerie sense!
  • Adam Gravely – It was a brilliant beginning for a film. Although I do think the sepia tone on some of the shots was a bit heavy going.





 5) How did you attract/address your audience?

     I attracted my audience with the use of a film poster that I created. I feel this reflected the genre and subject of my product effectively. My film poster created interest among the prospective audience, which lead them to watch my film.

      I addressed my audience in a way that involved them being able to relate to the main characters. This is because my target audience is of a similar age to the characters in my film. To ensure the audience was able to relate to the characters, I decided to cast the lead roles as obvious stereotypes; the typical teenagers, that young people of today would understand.

       Another way I was able to address the audience was through the soundtrack of the opening two minutes. I chose music that is popular with young people fitting the stereotype that was portrayed in my product, thus enabling the audience to further relate to the film as a whole.

      
6) What have you learnt about technologies from the process of constructing this product? 


       

I have used a variety of different technologies throughout the creation of media product; many of which I have never used before I began the course. This caused me to have to learn how to use this equipment while working on my product through a basis of trial and error.

The equipment and software I used to construct my media product was:

  • Apple iMac
  • Canon Camera
  • Jessops Tripod
  • Blogger.com
  • iMovie
  • iDVD
  • Cubase Studio 5
  • Microsoft Publisher
  • Microsoft Word
  • PhotoScape Photo Editing Software


Apple iMac:

The Apple iMac was the primary piece of equipment I used during the creation of my film.  It was also the tool that I was least familiar with, as I have only been used to working with PCs before now. The iMacs contained all of the relevant software for the post-production process, such as:

  • iMovie (OSX Snow Leopard)
  • iDVD (OSX Snow Leopard)

iMovie: Post-production was the most heavily involved part of the creation of my product. I used iMovie to order the frames that make up my film, add transitions between frames, insert title screens for the credits, attach the soundtrack and adjust the volume and colour levels to the clips.  As I wanted my film to have two main colour schemes; one for the wolf’s point of view and one for the rest of the shots, I had to choose two distinctive colour tones. I decided to go for a sepia-style tone for the wolf’s point of view and a greyscale tone for the rest of the shots. The iMacs made it very simple to change the colour settings.


Black and White Colour Effect Settings:



Sepia Tone Colour Settings:




iDVD: The purpose for the use of iDVD in my product was to burn the final film to a DVD and create the menu layout on the disc. At first I found this difficult to use, as I was unsure how to transfer the final film from iMovie to iDVD. I had to resort to asking my teacher (who is more experienced with Apple products) on how I should go about doing this. Eventually I managed to solve this problem.




Cubase Studio 5: Cubase is a piece of advanced music production software that I used to edit the soundtrack for my film.  After I had chosen the song I wanted to use for the opening part of my product, I decided it would sound best if it did not contain the vocal part. At first I was unsure on how I could do this, but then I had the idea of using Cubase to loop the introduction and repeat it throughout the time I wanted the soundtrack to be played for. This was a fairly simple task because I am quite familiar with this software as I use it for my Music Technology AS Level work. It proved to be an effective solution to this problem. I believe that having a good quality soundtrack is an integral part in the production of an effective final film.

Cubase Screenshot:



Microsoft Publisher: I used Microsoft Publisher for the creation of the film poster, as it was the only software I possessed that allowed simple image manipulation on a blank page. First, I pasted a plain black background onto a blank page in publisher. Then, on top of that, I pasted the background image in the centre of the page. On top of this image, I then placed the film title, cast members and certificate information. By layering the different components, I was able to get an effective final film poster.


Microsoft Publisher Screenshot:





PhotoScape: PhotoScape is free picture editing software that allows basic photo alteration and manipulation. I used it to add colour and border effects to the picture I wanted to use for the film poster. To begin with, I converted the picture from colour to greyscale, then increased the contrast slightly, to give the image a sharper feel to it. I then added a gradient border around the edges of the picture to make it fade into the black background when mounted on the poster. Although I didn’t do much editing to the picture, I found it was a simple yet effective way to create a poster which competently reflects the genre and subject of my final film.

PhotoScape Screenshot:







7) Looking back on your preliminary task, what do you feel you have learned in progression from it to the full product?


 
The intention behind the preliminary task was to become familiar with continuity editing and camera shots and angles. I believe that without undertaking this task, I would't know where to start when it comes to ensuring continuity is maintained when editing a collection of clips together.

The preliminary task also helped me to get familiar with the equipment I would be using for my final product, such as video cameras, tripods, the iMacs and all the software on them I would be using in the editing process. Before I started Media Studies at AS Level, I didn't have a clue how a movie was put together. I just took it for granted that someone just made it happen. I now understand that it's no easy task, and plenty of organisation is needed in order to be able to produce a good final product. I have learned that it is so easy to make continuity errors (far too easy in my opinion!). Just the simplest thing like in one shot, reaching for a door handle with your left hand, and in the next shot actually opening it with your right; is a very easy mistake to make that can have dramatic consequences on the impact the film might make on its audience. If mistakes like this are this easy, I dread to think what's involved when filming high speed car chases or intense fight scenes!

Overall, I feel I have learned so much over the last few months. From something as simple as how to work a video camera, to actually producing the first two minutes of a movie, covering all aspects of the research, planning and construction behind it all.








CONSTRUCTION: Final Product

Film Overview:


Title: Per Oculos Lupus

Production Company: Sync Productions

Starring: Chloe May, Ryan Lott, Thomas Hartland

Year: 2011

Genre: Horror

Director(s): Forest Onderka-Lang, Robert Gravely, Thomas Hartland, Thomas Mendel

Made In: United Kingdom

Edited By: Forest Onderka-Lang, Robert Gravely, Thomas Hartland, Thomas Mendel



Final Product:



Research: Marketing Distribution - BBFC Certification


Our Film Rating:

After reviewing the different BBFC Ratings, we believe our film's certificate would be 18. The reason we have decided upon this is because from personal experience, we have found that horror films with a rating lower than 18 are not usually that good. The vast majority of people who enjoy watching horror films want and expect to see scenes of a disturbing nature that are unsuitable for viewers under the age of 18, such as strrong, graphic violence and mature language.

PLANNING: Marketing Distribution - Film Poster

Draft 1:

This is the first draft of the poster for the film 'Per Oculos Lupus. It consists of the film title, a list of the four lead cast members, the BBFC certificate, information of when it will be available in cinemas and a screenshot from the opening two minutes of the film.


As a group we discussed the good and bad points of the poster and decided improvements were needed in the following areas. We felt that the font was far too bland. It didn't really reflect the subject or genre of the film. We also found that the photo wasn't suitable as it didn't give enough away as to what the film was about. Besides these points. we did like the layout. We found that a simple, yet clear layout was suitable for the type of film we decided on making.

Draft 2:

This is the second draft of our film poster. As a group we managed to make the necessary improvements to the font of the text, and the background image.


Originally, we were finding it difficult to find a font to replace the original one with. This was because Microsoft Office didn't have a suitable font to choose from. To overcome this obstacle, I downloaded a copyright free font from http://www.1001freefonts.com. Here I found the perfect font that truly reflected the subject and genre of our film. We also found a new picture to use for the background of the poster. It is more of an establishing picture displaying the two main characters of the film. We found this would be more appropriate as it also reflects the film title 'Per Oculos Lupus' (Through the Eyes of the Wolf) as it appears that we are looking at the main characters through the wolf's point of view. 

The only improvements we felt we needed to make on this draft were to increase the size of the gradient border around the image and to add the Sync Productions logo to the poster.

Final Poster:


For the final draft of the film poster We increased the size of the gradient border so the edges faded into black closer to the centre of the poster, and we also added the Sync Productions logo in the bottom right hand corner. We decided to reverse the colours of the logo for the poster as it would blend into it more effectively. A white and silver logo could look somewhat out of place on this poster.

RESEARCH AND PLANNING: Film Production Logo

Every film production company has a logo. It is displayed before the opening credits of a movie, usually accompanied by the production company's own theme music. We decided on the name 'Sync Productions' as 'sync' is an abbreviation of the word 'synchronise', and synchronise means actions occurring simultaneously. More recently, the word synchronise has meant the connection of one electronic device to another. For example, the connection between a mobile phone and a laptop. This is where our slogan 'Are you connected?' comes into context. We thought this slogan would catch the eyes of the audience and help them become engaged in what we have to offer. By having a slogan in the form of a question we are grabbing the attention of the audience by making them think about what they are being asked. This will develop their interest in the production company, and this should hopefully develop their desire to watch our productions.

The logo was created through the use of Microsoft Word and Adobe Photoshop.

PLANNING: Shooting Scheldule

We plan to film everything on the evening of Saturday 12th March, between the hours of 16:00 and 18:30. However, we have set aside Tuesday 15th March in case more time is needed for filming.

Equipment:

  • Cannon Film Camera
  • Jessops Tripod
  • SLR Camera
Props:
  • Car (and driver)
  • Blanket
Actors:
  • Ryan Lott
  • Chloe May
  • Tom Hartland
  • Dog
Costume:
  • Ryan Lott - Casual clothing (baseball jacket and jeans)
  • Chloe May - Floral Print Dress
  • Tom Hartland - Warm, simple outdoor clothing
Weather Forecast for the Day of Filming:

Before deciding upon a date to commence filming, we researched weather forecasts of possible dates where the group would be available. We decided that Saturday 12th March would be a suitable day to film, and that Tuesday 15th March would also be suitable if we needed extra time.



Sunset Times:

Because we plan to do our filming in the evening, we felt it is important that we know the time the sun would set on the proposed filming dates. This will help us decide the best time of the evening to begin and finish filming.


Wednesday 23 March 2011

RESEARCH AND PLANNING: Preliminary Conclusions

1) What have the deconstructions told you about the openings of movies?

The deconstructions I did have helped me understand that the first two minutes of a movie are vital for setting the overall mood throughout. As a result of doing these I have learned that movies carry many subliminal meanings and concepts, be them intentional or entirely co-incidental. With viewing the first two minutes of these films many times, I was able to pick up on these hidden concepts and meanings, which then helped me to have a greater understanding of the film as a whole.

The first two minutes of a film are usually either used to introduce the audience to the main character(s), to outline the main plot of the story, or to set a particular mood to be held by the audience throughout the production. These are all ways to receive and maintain the audience’s attention. Through my deconstructions, I have learned that the mood of a movie can be set in a variety of different ways. These methods can be through; connotations, music or the behaviour or actions of the cast. Connotations are used as a way of signifying certain concepts or moods without obviously communicating them to the audience. For example, the use of greyscale (black and white) filming in a horror movie may suggest themes of a sinister or eerie nature, whereas the use of bright primary colours in a child’s animated movie may suggest moods of a happy and care-free nature. Music is one of the most obvious ways of establishing the mood of a movie. For example, fast-paced or up-beat music may connote a mood of urgency whereas classical or baroque styles of music may establish moods of a more gentle nature.

For the first two minutes of a film to be effective, it needs to catch the audience’s attention, without giving too much away as regards the plot. A long conversation between two characters may not be an ideal way to begin a film as the audience could lose interest, thus giving them a negative outlook on the entire film. However, by beginning the film with exciting, funny or visually pleasing footage, the viewers are more likely to remain interested. A montage of shots is another technique that can be used in order to create curiosity among viewers. The use of credits at the beginning of a film is commonly used to create interest for the audience. However, this method only really works for films starring well known actors, as the sight of their name in the first two minutes of a movie may grab the attention of viewers and create further interest in the film. Also it might offer some clarity as to what genre the film will be, because some actors specialise in appearing in only certain genres of films. For example, Brad Pitt will be associated with action films and Hugh Grant will be associated with romantic comedies, as they are the specific film genre they most commonly 
appear in.]


2) What has your target audience research told you about likes, dislikes and viewing habits?



My target audience research has told me that 82.6% of people who took part in my survey enjoy watching horror films. This is certainly a reassuring result as the project my group and I will be working on will be a horror film. On the negative side however, we found that werewolves were not the most popular of horror film characters.

The results of my survey have also told me that Britain is the most popular location for the production of horror films. This is helpful information as I now know to research British Horror films to find out what specific features are best to include in my final film.


3) How have you used the above research to make planning decisions regarding your movie?


From my deconstructions I learned that most films are slow to get going, and don’t often contain much information regarding the main plot line. As a result I have decided to keep the beginning of my movie simple and straightforward. I won’t include much specific detail about the plot line, however I will try and include enough to add suspense and leave the viewers wanting more.  My deconstructions have also taught me that the first two minutes of a film is usually where the main characters are introduced. For example, the first two minutes of Hot Fuzz was made up of a montage of shots accompanied by a narration of the main character’s life history. After learning this, I decided I should include the main characters in the first two minutes of my film so the audience can familiarise themselves with them before the storyline gets more complex.

From my target audience research, I have found that the majority of people I asked enjoy watching British horror films. This gave me the idea to research a selection of horror films produced by British production companies as to get ideas of the acting, filming and post production techniques. 

RESEARCH: Target Audience Research - Survey

In order to collect information about audience likes and dislikes, I created a survey on surveymonkey.com
Here is the survey.


In the survey, we asked the following questions:


  1. Do you enjoy watching horror films?
  2. What was the title of the last horror film you watched?
  3. Who is your favourite horror monster?
  4. Are there any horror directors/writers/producers that you are a particular fan of?
  5. Who makes the best horror films?
  6. Is there anything else you would like to add concerning horror films and what you like/dislike about them


82.6% of the audience answered that they enjoyed watching horror films, which immediately meant good news for our film.
Not so good news was that no one chose werewolves as their favourite character, compared to the 43.5% that favoured Serial Killers and Psychos.
The British horror industry was most popular with 40.9%, followed by America, Asia, then Europe.

At the end of the survey, I asked the audience whether they had any comments on the production of horror films. These two particular comments stood out:

"I think horror films have to be gritty and at least an 18 rating. I don't think you can properly scare anyone if you have to remove swearing and dumb down the horror."
"They are just too boring these days ... We've moved on from horrors now ... They're boring."



 We posted the link of the survey on Facebook:


PLANNING: Storyboard






PLANNING: Film Brief and Director's Pitch


Main task: the titles and opening of a new fiction film, to last a maximum
of two minutes.

All video and audio material must be original, produced
by the candidate(s), with the exception of music or audio effects from a
copyright-free source. Both preliminary and main tasks may be done individually
or as a group. Maximum four members to a group. 


The opening two minutes of a werewolf movie. A teenage couple drive to a secluded spot for a romantic evening. Using the Bus Technique, a Farmer interrupts, but then he is attacked by the werewolf. Shot in the style of a low budget B-movie, the audience doesn’t see the werewolf, but it’s introduced through Point Of View shots.

My group and I intend to shoot on location near Kilsby. (see photos below)
We need to consider lighting, as it will be a night shoot. Our initial plan is to work with the car’s headlights, camping lanterns and external torches







We devised a list of props and equipment that we may need during filming:



We need to obtain permission to use the song 'monster' by a band called The Automatic. This song is rather in-keeping with the movie because it is they type of music that teenagers would listen to in their cars. As a group we came to the decision that the song would work very well with the motion picture. We decided to compose the following email to be sent to the record company in order to obtain permission for the use of the song.



RESEARCH: Movie Deconstruction - Toy Story 2

Title: Toy Story 2
Director: John Lasseter
Co-Directors: Ash Brannon and Lee Unkrich
Year of Release: 1999
Genre: Animation

The scene begins in space, where all that can be seen is distant stars. Then, the words “Gamma Quadrant, Sector 4” appear on the screen. These words appear to be written in a Sci-Fi/military theme, which suggests there will be an element of action in the following moments. When the text disappears, we see what is thought to be an asteroid, hurtling through space towards a planet. In the next shot, we realise it is in fact Buzz Lightyear flying towards the planet at a great speed. As he approaches the planet, upbeat orchestral music begins and builds to a crescendo, at the same time, the glow of colours around him intensify. This suggests that he is a heroic character.  In actual fact, the glowing is caused by the intense heat from the planet’s atmosphere. The fact that this character can withstand such temperatures shows that he possesses considerable strength and resilience.  After infiltrating the planet’s atmosphere, he soon reaches the surface where he activates his wings and rockets. We see Buzz flying dangerously close to the uneven ground, narrowly dodging the sides of a narrow ravine and other obstructing rocks. There is a great use of Point of View (POV) shots in this sequence. We see the action through the eyes of the character, which is quite thrilling for the audience as he is travelling at immense speeds and executing expert aerobatics.  All the other external shots of the character show him relatively central on the screen. These central shots, along with the Point of View shots tell the audience that this scene will revolve around him.
We then see Buzz landing gracefully in a crater on the planet’s surface. The graceful landing further enhances the fact that Buzz Lightyear is a character of considerable skill. In the next Point of View shot, we see the reflection of Buzz’s face in his visor, again reinforcing the point that the scene is focussed on him. The sound of heavy breathing increases tension and adds a sense of mystery in the scene. Buzz then starts taking his Mission Log, which gives the audience further knowledge of what he is doing. He says “All signs point to this planet as the location of Zurg’s fortress.” He then goes on to say, “but there seems to be no sign of intelligent life anywhere.” As he says this, red dots appear all over him, suggesting he is being targeted by many enemies. He looks up to see him surrounded by thousands of robots aiming lasers at him. This irony adds to the comedic value of the film, even more so by the fact Buzz was not wrong when he said there was no sign of intelligent life, as the robots are computerised machines. The audience sees Buzz think for a split second, then jump into action as he dives and fires his laser at a crystal deposit in the ground, this refracts his laser in many directions, thus destroying all the robots in near perfect symmetry.  As the robots are destroyed, the explosion creates a mass of green smoke. We see Buzz flying upwards as a result of the explosion and crashes to the ground a short distance away from the blast zone. This shows that Buzz, although extremely skilful, is not perfect. He narrowly avoids getting crushed by falling debris and takes cover by some rocks, then a camera-like robot emerges from a hidden flap in the rock next to Buzz. The camera looks from left to right, then focuses on Buzz.  As soon as the camera gets a glimpse of him, there is a look of terror and panic in the camera’s expression. Although the camera doesn’t have a face as such, the lens widens and a satellite dish-like object on top of the camera spins quickly. This is a form of personification, as the animators have given emotion to a computerised object, again adding to the comedic value of the production. Buzz then jumps in front of the camera robot and shoots it with his laser. All that is left of this robot now is the jointed arm it was attached to, which soon retracts back into the hole in the rock in a comedic manner.

RESEARCH: Movie Deconstruction - Harry Potter and the Goblet of Fire

Title: Harry Potter and the Goblet of Fire
Director: Mike Newall
Year of Release: 2005
Genre: Fantasy

The movie begins with tense orchestral music which builds to a crescendo as the camera focuses on the ‘Warner Bros. Pictures’ logo. The camera zooms into and passes through the ‘Warner Bros.’ Logo to show a wall made of skulls. As the camera vertically pans down the wall, we see a snake emerging from the mouth of one of the skulls and slithering up a grassy path in a dark, misty graveyard.  The skulls along with the misty graveyard emit a sense of death and the snake itself could represent evil. This is because in the Bible, Satan takes the form of a serpent in order to persuade Eve to disobey God’s orders and eat the forbidden fruit. As the snake progresses through the graveyard, it reaches a tomb accompanied by a statue of the Grim Reaper. The serpent slithers up the tomb and in the meantime the camera approaches the statue and vertically pans upward to give the impression that the Reaper is imposing itself on the viewers, again, supporting the sense of death in the scene.
The next shot is an establishing shot of a small cottage in the foreground, and a large mansion in the background.  The mansion appears to be enshrouded by mist, which suggests it may be involved in sinister goings on. Up to this point, the setting seems to be quiet and uninhabited; however, a light suddenly appears in the upstairs window of the cottage, suggesting that we are likely to encounter the first human character in the film.  The first we see of this character is of them striking a match over a stove, with an intension of boiling the kettle.  After he puts the kettle on the stove the man steps back and stretches out his arms and fingers. This signifies that his arms could be stiff as a result of arthritis. The man is distracted from making tea when he looks out the window and double-takes to see a flickering light through one of the upstairs windows of the mansion. He throws the teabag down in anger and mumbles “bloody kids” as he walks off to investigate. His reaction to seeing the flickering light may imply that he has either had trouble with local youths trespassing in the mansion previously, or he has a stereotypical view of young people, and instantly accuses them of being the culprits.  He picks up a set of keys from a hook, which could suggest he is some form of caretaker or grounds keeper of the mansion. It has now become obvious that the mansion is probably derelict, as if it were inhabited, the man would not find it unusual for a light to be flickering from one of the rooms.
We then see the old man walking through the gardens towards the mansion. He looks uneasy as he walks, reinforcing the possibility of him being arthritic and finding movement a chore. The man walks up the stone steps and approaches the door to the mansion, finding it unlocked, which further arouses his suspicion that there are intruders inside. He slowly crosses the threshold, to see the hallway ridden with cobwebs and dust, which supports the viewers’ suspicion of the mansion being derelict.

RESEARCH: Movie Deconstruction - Hot Fuzz

Title: Hot Fuzz
Director: Edgar Wright
Year of Release: 2007
Genre: Action Comedy

The film begins with the sounds of many different types of police siren and the ‘Universal Studios’ animation, followed by the ‘Working Title’ Production Logo. The sirens denote that the film will be based largely on the police service, although at this point, the audience is still unclear as to what genre the film will be.
       The first clip is a long shot of a person walking down a dimly lit corridor in a fairly modern building (possibly a police station). The person is walking quickly, with heavy footsteps, which could imply that he is in a hurry. As he walks closer toward the camera, the camera slowly and gradually zooms in, focussing on the subject. When the character gets closer, we can see that he is wearing a police uniform, which supports the idea of the film involving the police service. As the police officer becomes in clear visible range, he takes off his hat and holds his warrant card up to the camera, thus establishing character and role. There is a slight element of humour in this action as the character’s facial expression is exactly the same as of that on the photo on the warrant card. This is the first signal that the film is in the comedy genre.

       Next, there is a montage of clips along with a narration about the character’s background, including his qualifications, training and career. Early on in the montage, there is a close-up of the main character’s right shoulder, showing one of his epaulettes with the number 777 on. The number 777 is often thought to be the number of God. As opposed to 666 being the number of the Devil. This could denote that he is a ‘god-like’ person. The transitions between shots are heavily emphasised by the use of quick, bright flashes and loud ‘whooshing’ noises. This may create a sense of urgency and importance about the montage.